Since we have gradually started dealing with storytelling in the context of young adult education, I think this is the right moment to open a thoughtful and honest discussion about this issue. The idea is that you share ONE POINT ONLY for or against storytelling in the secondary Argentine classroom. What's your opinion? Let's get this discussion started!
The texts in this blog are published with their original spelling and grammar. No comments and teacher feedback are included.
September 25, 2012
September 14, 2012
Dead like me: A tool to reflect upon the influence of social pressure on identity development
Students: M.A. and Camila Chaves
To what extent are adolescents willing to renounce to their own essence in order to belong to a certain group of peers? How much of their identity is lost when nurturing that sense of belonging?
Dead Like Me is a zombies’ story by Adam-Troy Castro, in which the main character loses his own human identity pretending to be a Living Dead. This allows him to belong to the group of zombies which have taken the city where he lives in order not to be literally devoured by them. In this way, the story explores how social pressure makes people lose their own identity in order to fit in a particular social group. Thus, the aim of this paper is to prove that Dead Like Me constitutes a good narrative source for teachers to discuss with teenage students how peer pressure influences their identity.
During adolescence, human beings experience a series of physical, cognitive and social changes which lead to what Erik Erikson called identity crisis (Erikson: 1994). He defined this crisis as a turning point in adolescents’ sense of self, and considered identity formation as the “developmental task” of adolescence. This developmental task is shaped by the choices that adolescents make during their identity crises and among these there is one that is crucial: that is the selection of peers that teenagers make. Since during the teen years people spend more time with their peers than with their family, it is during this period that teens are more susceptible to be influenced by their friends. This external influence can lead them to adopt the norms and standards of the group at the expense of their own, causing the loss of their sense of self (Erikson cited by Saul McLeod: 1998).
It follows that this denial of one’s self does not only take place in the world of adolescents but also in the fictional world of zombies described in Dead Like Me. In the story, the main character adopts the zombies’ norms and customs, renouncing to his Living identity. This is shown through some of the narrator’s descriptions of his zombie-like behaviour:
Now find a supermarket that still has stuff on the shelves. You can if you look hard enough; the Dead arrived too quickly for the Living to loot everything there was. Pick three or four cans off the shelves, cut them open, and eat whatever you find inside. Don't care whether they're soup, meat, vegetables, or dog food. Eat robotically, tasting nothing, registering nothing but the moment when you're full.This change in behaviour allows the main character to be “accepted” by the zombies that surround him and, in that way, to belong to their group. The same applies to teenagers. Most frequently, adolescents are victims of peer pressure. This means that in order to fit in a social group, they are profoundly influenced by their peers and they are forced to restrict their own identity development. Thus, this restriction they imposed on themselves is intended to belong to a certain group of people, and in that way, to feel they are part of it. “The sense of belonging is the most salient aspect that pushes adolescents to conform to a group and share thoughts and believes that sometimes harm the youths’ identity” (Haynie, 2002).
All in all, this paper makes it possible to draw inevitable connections between the peer pressure phenomenon and a specific piece of writing, Dead Like Me. Besides, this essay helps us to see literature as a tool to be used in the classroom. It is important to bear in mind that literature, and more precisely storytelling, promote the identification of readers with the characters or with the situations described, and that “...Conflicting values and roles can be explored through stories, because storytelling is a problem-solving activity” (Gall de Vos: 2003).
Therefore, Dead Like Me can be a valuable tool for teachers to debate with students about the role of social pressure in the construction of their identity. This can be done by establishing a comparison between the loss of identity of the main character in a zombies’ world, and the adolescent’s loss of identity in their own social context. In the same way the main character in Dead like me adopts a fake zombie-like behaviour and renounces his human identity, adolescents often adopt the behavioural patterns of a group, putting at risk their own identity. Research has shown that adolescents often engage in false self behaviour (acting in ways that are not the true self), particularly when among classmates and in romantic relationships. (Harter et al 1996 cited by Steinberg and Morris: 2001). Dead Like Me can be used in the classroom to reflect upon identity concerns and, in that way, to help adolescents withstand the peer pressure they may be victims of.
REFERENCES
- Brown, B. Bradford; Lohr, Mary J. (1987) Peer-group affiliation and adolescent self-esteem: An integration of ego-identity and symbolic-interaction theories. Journal of Personality and Social Psychology. http://psycnet.apa.org/index.cfm?fa=buy.optionToBuy&id=1987-15208-001 Accessed 09/07/12
- de Vos, G. (2003) Storytelling for Young Adults: A Guide to Tales for Teens. Westport, CT Libraries Unlimited.
- Erikson, E. (1994) Identity: Youth and Crisis. New York, W.W. Norton & Company.
- Haynie, D. (2002) The Relative Nature of Peer Delinquency. Quantitative Criminology. http://cooley.libarts.wsu.edu/soc3611/Documents/Haynie_network.pdf Accessed 09/07/12
- McLeod, Saul (2008) Erik Erikson. Simply Psychology http://www.simplypsychology.org/Erik-Erikson.html Accessed 11/07/12
- Steinberg, L; Morris, A. (2001) Adolescent Development. http://www.colorado.edu/ibs/jessor/psych7536-805/readings/steinberg_morris-2001_83-110.pdf Accessed 09/07/12
The Good Parts: Reading it may cause parental unrest. Please, proceed with caution.
Student: Valeria Niell
Read “The Good Parts”, by Les Daniels, at your own risk.
It is important to bring a variety of books to the classroom not only to engage the interest of each young adult student but also to expand the school library. But having “The Good Parts” to be read in class may be matter of controversy and clash among parents and teachers.
Young Adult Literature (YAL) is the umbrella term for stories, books and novels meant for adolescents that include the features proposed by Robert Small Jr., (cited in S. Herz & D. Gallo, 1996):
• The main character must be a teenager
• The events and problems must be related to teenagers
• That main character must be the centre of the plot
• The dialogues and points of view must reflect adolescents’ way of speaking and thinking
• The main character must be sensitive, mature, intelligent and independent
• The story is short and simple
• The main character’s actions must affect the outcome of the story.
Also, the topics dealt with in the story must be attractive to adolescents. “The Good Parts” is about zombies, cannibalism, violence, sex and single parenting. It narrates the story of a zombie who enjoys pornography and eating living human’s genitalia. The knowledge he got from porn magazines and movies led him to impregnate a female zombie. They both end up being parents of a non zombie baby girl and the main character has to take care of her.
Even though the narrator of the story does not mention this male zombie’s age, “The Good Parts” seems to have a teenager as the main character because he spent most of his time watching porn movies and reading porn magazines and he was still a virgin when he “undied” (when he became a zombie). While he enjoyed such a repertoire of pornographic elements, he ate and ate. His obesity did not allow him to move when he was alive but it did not seem to be a problem when he turned into a zombie because he hunts by crawling.
Adolescents see zombies in movies, television series, videogames and comics. They are used to the gore, flesh eating and violent massacres that zombies and the humans that fight them display. “The Good Parts” is not an exception in the zombies’ universe. This story is filled with iniquity and butchery. The nameless main character seems to be the typical undead, always craving and searching for food. But this zombie is not like the others. He maintains the vice he had when he was alive: he was a consumer of pornography.
He hunts not only to quench his hunger for food but also to slake his hunger for porn. He continues getting pornographic magazines and admires them as he did when he was alive. In fact, when he eats a living human, he takes care to eat the “good parts”, i.e. the body parts he sees in his magazines and movies. The story is not explicit in the sense of stating clearly the words “pornographic videos and magazines” or “vaginas”. The author provides innuendos that lead the reader to “see” those words. For instance, for “Romancing the Bone” or “Ballin'” the reader has to infer that those words or phrases refer to pornography. When the narrator says “good parts”, he describes:
“(...) His favourite food tasted like a fish and cheese casseroles basted with piss (...) His yellow teeth were matted with pubic hair and mucous membrane; he never brushed.”The reader can guess what that refers to.
Teens are not unaware of sex and pornography. They discover them on their own, thanks to the Internet or to their peers, when they can’t find answers from adults. Sexuality takes a new role in their life. Their curiosity turns into instinct and they react to what their bodies feel. Like the main character of “The Good Parts”. When a female follows him to his shelter, he just obeys his instincts and they have sex. Of course, the reader has to infer this because the author never wrote it explicitly. After the sexual encounter, the female zombie gets pregnant and disintegrates sometime after the childbirth, leaving the zombie as a single father. At first he wants to eat the baby, who was a girl, but he realized that her “good parts” were not ripe. He decided to raise her in order to eat her later on. He fed the baby with canned food and protected her from other zombies. When the child grew, he was too weak to take care of her, so she had to feed him and read his magazines with him. This shows some kind of growth or maturation in the zombie’s life because he lets his baby live just to eat her later, but, eventually, he became a good and responsible father.
Many adolescents end up in the same situation as the main character of “The Good Parts” (single parents) and it can be enlightening to the teenagers who read this story to know that even a zombie can be a father... and a good one.
Going back to what R. Small defined as Young Adult Literature, for a story to be labelled as such, it has to include as the main character an adolescent and the events in the story should be related to them or be of their interest. Having stated this, it can be said that “The Good Parts”, by Les Daniels, is an example of YAL because the main character is a teen zombie, interested in porn and food and his instincts led him to be a single parent.
However, belonging to the field of YAL does not mean that a story or book is appropriate to be read in class. As stated before, “The Good Parts” can cause controversy among parents and teachers. The themes that this short story deals with may be regarded as taboo: violence, pornographic articles, sex and single parenthood. Some school authorities even designed lists of banned topics that should not be dealt in class and tested in order to prevent conflicts. The Department of Education of New York composed the following list:
Banned words and topics:
• Abuse (physical, sexual, emotional, or psychological)
• Alcohol (beer and liquor), tobacco, or drugs
• Birthday celebrations (and birthdays)
• Bodily functions
• Cancer (and other diseases)
• Catastrophes/disasters (tsunamis and hurricanes)
• Celebrities
• Children dealing with serious issues
• Cigarettes (and other smoking paraphernalia)
• Computers in the home (acceptable in a school or library setting)
• Crime
• Death and disease
• Divorce
• Evolution
• Expensive gifts, vacations, and prizes
• Gambling involving money
• Halloween
• Homelessness
• Homes with swimming pools
• Hunting
• Junk food
• In-depth discussions of sports that require prior knowledge
• Loss of employment
• Nuclear weapons
• Occult topics (i.e. fortune-telling)
• Parapsychology
• Politics
• Pornography
• Poverty
• Rap Music
• Religion
• Religious holidays and festivals (including but not limited to Christmas, Yom Kippur, and Ramadan)
• Rock-and-Roll music
• Running away
• Sex
• Slavery
• Terrorism
• Television and video games (excessive use)
• Traumatic material (including material that may be particularly upsetting such as animal shelters)
• Vermin (rats and roaches)
• Violence
• War and bloodshed
• Weapons (guns, knives, etc.)
• Witchcraft, sorcery, etc.
As it can be seen, “The Good Parts” treats some of the topics that are included in that list. Therefore, this story will be regarded as polemic by New York’s Department of Education.
However, some teachers, like Timothy Dalby, encourage the use of taboo topics in the classroom to
“Allow the practice of skills such as debating, critical thinking, negotiation, agreeing, disagreeing, explaining opinions and justifying. It also opens up language areas such as euphemisms, slang, formal and informal language, double meanings, body language and politically correct terminology.”But parents cannot be forgotten. They also have a say. Some of them share their concerns about what their children study at school. The following is a letter to the headmaster of a Catholic School sent by a mother who is disturbed about contraception to be taught. The letter was found in Concerned Catholic Parents of Ottawa:
“Dear Mr. Hanlon,
I am writing to express my disappointment with your responses to my concerns. Since my first contact with you on October 20th I have yet to receive an explanation that addresses the questions raised about Free the Children's family planning advocacy.
As mentioned before, the following statements can be found in their community reports,
"The women's groups also learned the importance of family planning and how to best prevent sexually transmitted infections." (Free the Children's Enelerai Community Report)
"Mamas in the community also bring their families to the clinic to receive immunizations and for weekly family planning sessions." (Free the Children's Pimbiniet Community Report)
"They also learned about family planning and how to prevent HIV/ AIDS." (Free the Children's Motony Community Report)
"the provision of health workshops and family planning" (Free the Children's India Fact Sheet)
As a Catholic parent and ratepayer I wanted to know what family planning methods were being promoted by Free the Children. In your responses to me you acknowledged that you did not know. Rather than leveraging the partnership our board has with this charity and pushing for answers, you instead provided me with a contact at Free the Children if I wanted to learn more. I definitely did want to learn more, but was surprised to learn that you also didn't want more information given your duty to preserve the school board's Catholic identity.
The contact you referred me, Scott Baker (Executive Director), also said he didn't know and was too busy to find out. I then asked him if Free the Children had any policies in place that prohibited the promotion of contraception as a legitimate method of family planning. As of the date of this letter, he has not replied to this question.
In your letter to me on November 22nd, you asserted that Free the Children does not promote contraception. Given that both yourself and Mr. Baker have both admitted to not knowing which methods are being promoted in the communities mentioned in the excerpts above, it is difficult to understand how you could have come to this conclusion.
The concerns being raised about Free the Children and contraception are new. The excerpts from the Free the Children community reports I have provided were not made available to other school boards in the past and were definitely not available when the decision was made to feature this charity in the Fully Alive program. As a result, it is not acceptable for you to abdicate your responsibility in this matter by simply saying that Free the Children must be 'ok' because other school boards also partner with them and they are featured in the Fully Alive program.
I am asking you to require Free the Children to provide detailed information with regards to the family planning methods they promote as a condition for the continuation of the existing partnership with our school board. Transparency should be a cornerstone of all partnerships the board engages in, whether charitable or not, and in particular when the questions being raised relate directly to Catholic morality.
To decide to do otherwise would seriously undermine any claims the OCSB makes about the importance it places on preserving the Catholic identity of our schools.
Sincerely,
AP
I encourage all readers to contact your trustee or the Director of Education and ask them to do their job and find out what kind of family planning work Free the Children engages in.
In the end, what's the point of having a Catholic School Board if the ones in charge of ensuring its Catholicity don't really care about what the Catholic Church teaches.”
And those concerned and disturbed parents can even force authorities to remove certain themes or material from the schools. The following extract was found in a homophobic parent’s blog, “El Científico Juan”. (The original article can be found at Diario El Siglo Web Argentina)
“La Red de Padres de Tucumán denunció que el Ministerio de Educación de la Nación distribuyó en todas las escuelas y colegios del país seis millones de ejemplares de una revista de educación sexual destinada a las familias cuyos contenidos eran altamente cuestionables. Al mismo tiempo se invitó a que sea rechazada.”Therefore, if a teacher brings “The Good Parts” to his classroom with the idea of creating a debate about contraception for example, there is a chance that some Christian students, or even their parents or school authorities, may feel offended because the Church bans contraception. As the following article found in the BBC Religions states:
“Since these churches (Less liberal churches) regard sex outside marriage as morally wrong (or if not wrong, as less than good), they believe that abstaining from sex would be morally better than having sex and using birth control.”A discussion about sexuality in the classroom can cause unrest in the students. A teacher narrates her experience when dealing with Shakespeare and how her students reacted to homosexuality in “Teaching Tolerance. Controversial Subjects in the Classroom”:
“Three students in a college Shakespeare course I taught accused me of trying to make them say two female characters in A Midsummer Night's Dream were lesbians. Since my lesson plan involved Shakespearean diction and close reading, I didn't take them seriously.Therefore, belonging to Young Adult Literature does not necessarily imply that a story can be appropriate to be read in class. It is necessary to weigh up its pros and cons in order to be sure whether to read it or not. It is important to take into account the context in which the story is going to be read so as to know if it contains any taboo topic that may cause controversy or problems within the classroom. “The Good Parts” is a good example of this. The topics it deals with are cannibalism, pornography, sex and single parenthood, all of which may cause a storm of angry parents... especially if the teacher is open minded and attempts to explains to his class what “romancing the bone” means. The decision of reading “The Good Parts” or any other story that may include polemic themes, thus, should not rest on the teachers’ shoulders only. It would be necessary to count with the opinions of the students, their parents and the school authorities to prevent an outbreak of tension and altercations within the classroom.
I laughed.
My response made the students even angrier, and they stormed out of the room, one gliding defiantly out on roller blades.”
REFERENCES:
• Concerned Catholic Parents of Ottawa (2012) http://concernedparentsottawa.blogspot.com.ar/ (Accessed 07/12/12)
• Contraception: Christian teachings on contraception and birth control - a contentious subject particularly in the Catholic Church and in countries with high incidence of HIV. (2009) http://www.bbc.co.uk/religion/religions/christianity/christianethics/contraception_1.shtml#top (Accessed 07/12/12)
• Dalby, T. (2007) Using Taboos to Bring Cultural Issues into the Classroom https://sites.google.com/site/timoteacher/usingtaboostobringculturalissuesintothec (accessed 07/09/12)
• Dwyer, L. (2012) Testing Taboos: The 50 Topics Banned From Standardized Exams
http://www.good.is/post/testing-taboos-the-50-topics-banned-from-standardized-exams/(Accessed 07/09/12)
• “El científico Juan” (A concerned and homophobe parent) (2012) http://elcientificojuan.blogspot.com.ar/2012/04/doctores-defienden-ante-el-parlamento.html (Accessed 07/07/12)
• Herz, S & D. Gallo (1996) From Hinton to Hamlet: Building Bridges between Young Adult Literature and the Classics. Westport, CT, Greenwood Press.
• La educación sexual impartida a los niños genera polémica en la provincia (2011)
• http://www.elsigloweb.com/nota.php?id=80714 (Accessed 07/12/12)
• Teaching tolerance. http://www.tolerance.org/activity/controversial-subjects-classroom (Accessed 07/11/12)
• Una revista del Gobierno nacional que promueve las relaciones homosexuales y la masturbación. (2011) http://www.contexto.com.ar/nota/56299/una-revista-del-gobierno-nacional-que-promomueve-las-relaciones-homosexuales-y-la-masturbacion.html (Accessed 07/10/12)
“Even homeless shelters turn us away”: An Analysis of Sense of Belonging and Social Identity in the Short Story “A Zombie’s Lament”
Students: Gisela Mendez & Nadina González Nomi
This paper will base on psychological theories of sense of belonging, social identity and exclusion. The main character of “Zombie’s Lament” tries to build his sense of belonging and his social identity along the story. The aim of this paper is to demonstrate that the short story “A Zombie’s Lament” by Browne can be used by teachers to make adolescents reflect how young adults might suffer from a lack of sense of belonging.
As Kiesner, Cardinu, Poulin, Bucci (2002) and Stone and Brown (1999) suggest, sense of belonging is a psychological construct. They have agreed that the sense of belonging is something that is built or made. Other exponent as regards this topic is Tajfel, who defines social identity as people’s sense of who they are based on their group membership(s). Other relevant term, which will be used in this paper, is social exclusion. According to MacDonald and Leary (MacDonald & Leary, 2005), it refers to the perception of being excluded from desired relationships or devalued by valued relationship groups.These definitions fit the experiences of sense of belonging, social identity and exclusion that are shown in the story. Complaining about not to be considered part of society, Andy starts looking for people like him and, in this way, he begins to construct his social identity.
The story “A Zombie’s Lament”, published in 2009, is included in ‘Zombies: Encounters with the Hungry Dead’, an anthology of thirty-two short stories about the living. Although the story appears at first to be about a zombie fighting the system for his rights as an individual, an analysis of the story will explore the adolescent’s need for a sense of belonging and a social identity. The main character suffers from lack of sense of belonging and this situation affects his identity. How can he belong to the dead if he is not really dead? How can he belong to the undead if he is not really alive? This situation raises questions about his identity, about who he is, where he belongs to. Although the main character is a man in his early thirties, he can resemble any adolescent because of his way of trying to belong to any group. For instance; trying to belong to the living group, Andy has “taken dozens of showers and even soaked in a tub filled with disinfectant” and he has also “ tried to learn sing language”. In essence, this might be a story about the way in which adolescents must make connections with people.
Adolescents participate in a complex social environment populated by friendship groups. There are lots of benefits to being a member of a group. Teens feel more secure when they know that they have others around them who share their goals and care about their progress. The desire to belong to a group may influence an adolescent's behaviour well before the adolescent is actually a member of the group. Individuals may change their behaviour in order to gain peer acceptance. This is what actually happens in the story when the main character explains that a famine zombie had to pose as a breather in order to get a hotel room. She had to wear bracelets and jewelry in order to hide scars pretty well, had to add sunglasses, a little make-up, a couple bottles of cheap perfume before a room was given to her.
As it has been explained, the desire of being part of a group is something important for teenagers, but why? Tajfel proposes that the groups (e.g. social class, family, football team etc.) which adolescents belong to are important sources of pride and self-esteem. Groups give teens a sense of social identity: a sense of belonging to the social world. In the story, the main character shows a deep sense of unease:
“I get bored, like a dog left alone in the house who starts chewing on things in frustration- shoes, couches, pillows. And like a dog, I’m starting to feel anxious and frustrated”In order overcome this situation, he decides to be part of a group, the local chapter of UA-Undead Anonymous. By doing this, he has the opportunities to feel better about himself, “less estranged from society, more human”. Having peer relationships is positively correlated with popularity and good social reputation (Cauce, 1986), self-esteem (McGuire & Weisz, 1982), and psychosocial adjustment (Buhrmester, 1990). This is what the main character of “A Zombie’s Lament” perceives inside the group. Inside UA, the members protect each other against the breathers and help each other to feel better about their nature.
It seems that if a teen successes in being part of a group, this teen will probably raise his self-esteem. However, what would happen if this teen would not achieve his goal of being part of a group. The truth is that the development of adolescents’ identity emerges thanks to the connection a teenager achieves in society ( Aloise- young, Graham and Hansel, 1994) . Participation in the social world of adolescent peer relationships can have its costs. Social exclusion has been systematically associated with problems in adjustment to society. Although the main character tries to be accepted by society, the fact that he does not belong to any group is perceived from the very beginning. There are two clear examples of this social exclusion:
“The undead, however, have more grief to deal with than southern blacks in the 1950's. Talk about civil rights issues. The undead can't vote, get a driver's license, attend public schools, apply for unemployment, go to cinemas or theaters, and find a decent place to live or get a job.”
“My parents let me stay in the attic, but they avoid me, and none of my old friends want anything to do with me.”Exclusion and social isolation are perceived as painful and are associated with a variety of negative affective experiences including anxiety, depression, anger, and shame (MacDonald & Leary, 2005). This is clearly expressed by the main character of the story when saying the following:
“…When I get lonely I get bored. When I get bored, I get anxious. When I get anxious, I get frustrated. And when I get frustrated…”In some ways, adolescents’ lack of sense of belonging can be reflected in “A Zombie’s Lament”. The way Andy tries to be part of a group resembles the way teens tries to belong to a group of friends. Groups give teens a sense of social identity, a sense of belonging to the social world. One of the most common places, where adolescents might spend most of their time, is school. Adolescents who have positive sense of peer group belonging might have significantly fewer behavior problems at school than those who do not have positive sense of peer group belonging. Loneliness might be the central reason why some adolescents are unhappy and distraught (Buhrmester, D. 1990) It is important for adolescents to be aware of the relevance of being part of a group because of the benefits this means, such as improvement in self-steem.
REFERENCES
• Aloise- young, Graham & Hansel.(1994) “The Role of Self-monitoring in Adolescents Susceptibility to Passive Peer Pressure”, Personality and Individual Differences, Volume 37, Issue 8.
• Browne, S (2008) http://sgbrowne.com/bio/
• Buhrmester, D. (1990) “Child Development”, Volume 61, Issue 4.
• Cauce , M (1986) ‘Social Networks and Social Competence: Exploring the Effects of Early Adolescent Friendships’, American journal of community psychology, Volume 14, Number 6
• Jeff Kiesner, Mara Cadinu, François Poulin & Monica Bucci (2002) ‘Group Identification in Early Adolescence: Its Relation with Peer Adjustment and its Moderator Effect on Peer Influence’, Child Development Vol. 73, No. 1 (Jan. - Feb., 2002) Published by: Blackwell Publishing Article Stable URL: http://www.jstor.org/stable/3696439
• Lieberman, S. Importance of Building a Classroom Community. http://stefaniemckoy.com/BuildingCommunity/CommunityImportance.Html (accessed 1/7/12)
• MacDonald, G & M, Leary. (2005) ‘Why Does Social Exclusion Hurt? The Relationship Between Social and Physical Pain’. Psychological Bulletin, Vol 131(2)[ Journal Article ]
• Mc Guire, K & J, Weisz.(1982) ‘Social Cognition and Behavior Correlates of Preadolescent Chumship Ghild Development’ http://www.wjh.harvard.edu/~jweisz/pdfs/1982a.pdf (accessed 1/7/12)
• Stone, M & B, Brown (1999). ‘Descriptions of Self and Crowds in Secondary School: Identity Claims and Projections’. The role of peer groups in adolescent social identity: Stability and change San Francisco. In Jeffrey McClellan (Ed.)
• Tajfel, H., & Turner, J. C. (1986). The Social Identity Theory of Intergroup Behaviour. Psychology of Intergroup Relations. Chicago, S. Worchel & W. G. Austin (Eds.)
• The Columbia World of Quotations © 1996, Columbia University Press
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"Dog, what's it like outside?”: An analysis of motivation in “The emissary”
Students: Ricchezza Betina and Vellere Laura Paola
“And lying there, Dog told as he always told. Lying there, Martin found autumn as in the old days before sickness bleached him white on his bed. Here was his contact…”What happens when adolescents have to face problems in life? Are they mature enough to solve problems by themselves? Or do they need any stimulus from the outside world? Motivation is the key word when adolescents need to pursue goals or dreams. In “The emissary” by Ray Bradbury, motivation appears to drive a young boy during a critical period of his life. The main character is a sick boy who is lying on a bed and his loyal friend and his contact with the world is Dog.
Martin, the character in this story, is confined to bed because of his illness. Dog brings him flowers and objects from the streets. He tells Martin about the weather and the seasons by the way his fur feels and smells. In addition to the dog´s company, Miss Haight is another important character that incentivises Martin. She is his teacher from school. She visits Martin every day. She bakes Martin orange-iced cupcakes, brings him library books and they play dominoes and chess together. They talk and never stop talking. Above all she can read and interpret Dog. Miss Haight is Martin´s favourite visitor. In this way, Martin finds the motivation to start a new day despite of his situation.
According to Maslow´s theory of motivation (motivation and personality, 1987), lack of motivation brings lack of confidence, lack of problem-solving, low self-esteem and no achievement. The aim of this paper is to demonstrate that “The emissary” can be used to carry out a debate among adolescent students about how motivation helps them to explore and learn more and more every day.
Students and experiments in human beings have shown that motivation is one specific personality factor in human behaviour. But what is exactly motivation? and what are the subcomponents of motivation?. As Maslow suggests, motivation is thought as an inner drive, impulse or emotion that moves one to do something. More specifically, human beings universally have needs or drives that are more or less innate, yet their intensity is environmentally conditioned. According to Ausubel (1968), six desires or needs of human organisms are commonly identified which undergird the construct of motivation:
• The need for exploration (for seeing, for probing the unknown)
• The need for manipulation (for operating on the environment)
• The need for activity (for movement)
• The need for stimulation (to be stimulated by the environment and others)
• The need for knowledge
• The need for ego enhancement (to be accepted and approved by others)
The six needs listed above are especially relevant for human beings in order to be motivated. To what extent can an adolescent, who is confined to bed, fulfil all this needs?
As regards the short story, Martin fulfils his needs such as the need for stimulation and knowledge when he learns about the world through his dog. He explores the unknown; he is able to touch and smell the environment discovering the weather and seasons:
“And Dog settled to warm Martin's body with all the bonfires and subtle burnings of the season, to fill the room with soft or heavy, wet or dry odors of far-traveling. In spring, he smel-led of lilac, iris, lawn-mowered grass; in summer, ice-cream-mustached, he came pungent with firecracker, Roman candle, pin wheel, baked by the sun.”Martin finds the stimulation he needs and he is eager to know and learn things not only because of Dog but because of the love and company he receives from his teacher, Miss Haight, who tells what is left untold by Dog about the world. Martin feels that everything he is and his own world is going to disappear when his mother warns him she will lock up the dog. Dog is always digging places. Martin´s mother is upset because she is always receiving complaints from her neighbours because Dog digs holes in their gardens.
“… If he doesn't behave he'll be locked up."This passage shows that Martin feels he will lose his contact with the outside world. Due to this fact, he will lose his need for exploration, for manipulation, for knowledge, that is to say, he will lose his motivation and if a person is not motivated he will not be able to continue pursuing his goals or dreams. Furthermore, Miss Haight dies in a car accident and Martin realizes that the world is untouchable for him. He loses any kind of connection with the outside world. He loses his need for stimulation; to be stimulated from the environment and others.
Martin looked at this woman as if she were a stranger."Oh, you wouldn't do that! How would I learn anything? How would I find things out if Dog didn't tell me?"
According to analysis made about “The emissary”, it is possible to use this story in order to carry out a debate among adolescents and let them express critically what they think about motivation in their lives. As a consequence, they not only will be able to analyse motivation in Martin´s complex case, but they will also be able to emphasize with the character and analyse how motivation is present whenever they have dreams or goals to be fulfilled.
References:
Ausubel, David. Theory about motivation. Accessed 05/07-/2012 http://es.scribd.com/doc/27043905/Ausubel-Theory. http://education.gsu.edu/ctl/FLC/Foundations/Overview.pdf
Collins English Dictionary – Complete and Unabridged © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003. Accessed =5/07/2012. http://www.thefreedictionary.com
Maslow, Abraham. (1987) Motivation and personality. http://www.chaight.com/Wk%2015%20E205B%20Maslow%20-%20Human%20Motivation.pdf. Accessed 05/07/2012.
Maslow, Abraham. Maslow's hierarchy of needs. Accessed 05/07/2012http://en.wikipedia.org/wiki/Maslow's_hierarchy_of_needs.
“A ZOMBIES´ LAMENT: An analysis about important issues that are present during the adolescent stage”
STUDENTS: NIETO, OLAZABAL, BARROCA
“I don´t really understand it. I mean, it´s not like we´re any different than we were before we died. We crave security, companionship, and love. We laugh and cry and feel emotional pain.”The previous extract has been taken from the science fiction story “A ZOMBIES´ LAMENT”, written by S. G Browne. This story is about Andy, who has a car accident and dies. He loses his wife, Sara, in the accident and consequently, their daughter goes to live with Sara´s sister. Andy becomes a zombie and he tries to adjust his new life as one of the undead. In this world, zombies are second class-citizens.
During the adolescent stage one of the most important issues adolescents go through is the development of a sense of personal identity and the sense of belonging to a group.
This essay will be the analysis of the science fiction story “A ZOMBIES´LAMENT ” written by S. G Browne. Throughout the story teenagers can reflect upon some important issues that are present during adolescence such as: searching for identity and sense of belonging.
Identity
One of the most important tasks that teenagers confront during adolescence is the search for identity.
According to Erikson (1979) “identity is a new way of thinking about oneself that emerges during adolescence. Identity involves a sense of self-unity, accompanied by a feeling that the self has continuity over time. A firmly established identity also provides a sense of uniqueness as a person. Moreover, Sprinthall and Collins (1984) mention that the process of establishing an identity involves “integrating into a coherent whole one´s past experiences, ongoing personal changes, and society´s demands and expectations for one´s future.”
By reading “A ZOMBIES´LAMENT”, young adult readers can reflect upon their own search for identity since the main character of the story, Andy, is trying to look for a new identity as a zombie and which is not an easy task for him.
The following quotation shows us how Andy is searching for a new identity since he can´t recover his past life.
“To be honest, I don´t know what I want. I know what I´d like-I´d like to have my life back, to be married again and sitting on the couch in the family room with my wife and daughter, watching a movie while our two cats chase each other around the house.”
Here the character is expressing his feelings in this new stage. He is wishing that his new life was similar to his past life in many aspects and he is trying to recognize those positive phacets as a zombie.
Teenagers are constantly looking for their own identity in the manner as the main protagonist of the story is doing with his new life after the accident.
Sense of belonging
Another important task that teenagers have to face during the adolescent stage is that they need to belong to a group in their society.
James Gilmore (2005) suggests that “adolescents want to feel they belong. All humans desire a connection with someone who cares and feels they are part of something bigger than themselves. Teens are not the exception, in fact, since adolescence is such a radical time of change, the need may be even more prevalent.” Kanopka (1973), in her study of the conditions necessary for healthy development of youth, states that “young adults need to have a sense of belonging both to their own age group and among adults.”
Taking into account that in the story Andy needs to belong to a group of zombies, young adult readers may feel identified with the main character of “A ZOMBIES´LAMENT” and they can reflect upon their need to establish a sense of belonging since during adolescence, teenagers need to belong to a group of peers as it happens with Andy in the story.
This can be appreciated in the following extract where the character of the story decides to join to a zombies´ group.
“After a while, I get bored, like dogs left alone in the house who starts chewing on things in frustration-shoes, couches, pillows. And like a dog, I´m starting to feel anxious and frustrated. Except I don´t think I´m going to be satisfied with chewing on pillows.
I´ve joined a support group, the local chapter of UA-Undead Anonymous.”
As it can be seen in the previous extract, Andy is alone and frustrated, he does not know what to do and he needs to belong to a group, a group where he can feel identified with. With his life as a zombie, he can not be with his daughter, parents, friends or his dead wife, This is the reason why he joins to Undead Anonymous group.
Young adults may feel identified with Andy since during adolescence, teenagers desire a connection with someone who cares and feels they are part of something bigger than themselves.
As regards the sense of belonging, groups offer teens the opportunity to share ideas and interests, to demonstrate their abilities and to gain a personal recognition, all of which contributes to increase self-steem. When teens feel like they fit in a group that promotes their likes and values, they become stronger in their own attitudes and convictions. (James Gilmore, 2005)
Throughout this analysis, it has been demonstrated that “A ZOMBIES´LAMENT” can make adolescents reflect upon some important issues such as: searching for identity and the sense of belonging. This story can help adolescents to reflect about their own lives.
References
• Browne, S. G. ( 2009 ) “A ZOMBIES´LAMENT”. United States, Black dog & Leventhal Publishers, Inc.
• Erikson ( 1979 ) Erikson´s stages of development.
• Sprinhall, N. A & W. Collins ( 1984 ) Adolescent psychology: A development view.
• James Gilmore ( 2005 ) Contemporary Educational Psychology.
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